The documentary film "Clay and Concrete" follows the life of Hana, a renowned potter living in Kyoto, Japan. Her family has produced exquisite ceramics for generations, using traditional techniques passed down through centuries. However, Hana faces challenges in the modern world. The ancient kilns, once integral to her family's livelihood, are increasingly threatened by rapid urbanization and the encroaching sprawl of Kyoto. The city's beauty, which has inspired her art for decades, is slowly being swallowed by traffic congestion and the ever-present construction that comes with modernization. Hana’s work reflects this tension between tradition and modernity. Her elegant tea bowls, meticulously crafted, represent a deep-rooted cultural heritage, a connection to the past that she fiercely protects. Yet, the very act of creating these bowls is often interrupted. The constant noise of city traffic filters into her studio, breaking her concentration, a stark contrast to the quiet contemplation essential to her craft. Moreover, the sourcing of high-quality clay has become increasingly difficult and expensive, forcing her to seek suppliers further from her home, adding another layer of logistical complexity to her already time-consuming process. Even her attempts to connect with younger generations through workshops are impacted by their busy schedules and competing commitments in this fast-paced city. The film doesn't shy away from portraying the difficulties Hana faces. It depicts not just the creative struggle, but the tangible hurdles presented by a rapidly changing urban landscape. We see her navigating congested streets, searching for the perfect clay, or spending hours waiting in meetings with city officials regarding the preservation of her family’s kiln. "Clay and Concrete" ultimately poses a question: how can a vibrant cultural heritage endure and adapt in the face of unrelenting urban expansion and the complexities of modern life?
1. According to the passage, what is the primary challenge Hana faces in her work as a potter?
2. How does Hana's art reflect the conflict described in the passage?
3. What is the main purpose of the documentary "Clay and Concrete"?
4. What is the significance of the film's title, "Clay and Concrete"?