Afghanistan, a landlocked country in Central Asia, possesses a rich and diverse design heritage, deeply rooted in its history and cultural traditions. For centuries, Afghan artisans have produced exquisite carpets, textiles, ceramics, and metalwork, reflecting the country's unique blend of Persian, Central Asian, and Indian influences. However, decades of conflict and political instability have significantly impacted Afghanistan's design sector. The destruction of infrastructure, the displacement of artisans, and the disruption of traditional trade routes have severely hampered the production and distribution of handcrafted goods. Moreover, the influx of inexpensive, mass-produced goods from neighboring countries and beyond has posed a significant challenge to the survival of traditional Afghan crafts. Despite these challenges, there is a growing movement to preserve and promote Afghan design. Efforts are underway to document traditional techniques, train new generations of artisans, and establish sustainable markets for Afghan handicrafts. International organizations and NGOs are playing a crucial role in these initiatives, providing support for artisan communities and facilitating access to global markets. The revival of Afghan design is not simply about preserving tradition; it is also about adapting to contemporary contexts. Contemporary Afghan designers are exploring new ways to integrate traditional motifs and techniques into modern designs, creating products that appeal to both domestic and international markets. This fusion of tradition and modernity is vital for the economic empowerment of Afghan artisans and the preservation of the country's unique cultural identity. The future of Afghan design hinges on several factors, including the stability of the political situation, the development of robust infrastructure, and the cultivation of strong international partnerships. Success requires not only preserving the beauty and craftsmanship of traditional Afghan designs but also fostering innovation and ensuring the economic viability of the sector. The preservation of this vibrant cultural heritage is essential, both for Afghanistan itself and for the global appreciation of diverse design traditions.
1. According to the passage, what is the biggest challenge facing the revival of Afghan design?
2. What is the significance of the fusion of tradition and modernity in contemporary Afghan design?
3. Which of the following is NOT mentioned as a factor crucial for the future of Afghan design?
4. The passage primarily focuses on which aspect of Afghan design?