ENGLISH MEBY

代替エネルギー、芸術家倫理、歴史小説:三つの潮流」の英語長文問題

以下の英文を読み、設問に答えなさい。

The late 19th and early 20th centuries witnessed a confluence of significant movements: the burgeoning exploration of alternative energy sources, the rise of artistic modernism grappling with ethical dilemmas, and the flourishing of historical fiction reflecting societal anxieties. The harnessing of electricity, initially viewed with suspicion and wonder, promised a future free from the constraints of fossil fuels, sparking debates about its equitable distribution and environmental impact. Meanwhile, artistic movements such as Impressionism and later, Expressionism, challenged conventional artistic norms. Artists grappled with representing the rapidly changing world, exploring themes of alienation, industrialization, and the psychological impact of technological advancements. Their works, often morally ambiguous, raised questions about the artist's responsibility to society and the ethical implications of their creative choices. Simultaneously, historical fiction emerged as a powerful medium for exploring the past and its relevance to the present. Authors delved into forgotten histories, revisiting periods of social upheaval and technological transformation, using the past as a mirror to reflect contemporary anxieties. In this way, historical novels engaged with the ethical complexities of progress, examining the human cost of industrialization and technological advancement. These three seemingly disparate movements—the technological pursuit of alternative energy, the artistic exploration of ethical dilemmas, and the literary examination of historical narratives—were deeply interconnected. The anxieties and hopes surrounding the transition to a new energy paradigm found expression in artistic and literary works. The ethical questions raised by technological progress fueled artistic innovation and informed the narratives of historical fiction. Each domain influenced and enriched the others, creating a complex tapestry of intellectual and artistic ferment.

1. According to the passage, what was a common thread connecting the exploration of alternative energy, artistic modernism, and historical fiction in the late 19th and early 20th centuries?

2. The passage suggests that artistic modernism of the late 19th and early 20th centuries reflected:

3. How did historical fiction contribute to the intellectual discourse surrounding alternative energy and artistic modernism?

4. What is the main idea of the passage?