「静寂と創造：映画『レ・ミゼラブル』、ロダンの彫刻、そしてプルーストの『失われた時を求めて』」の英語長文問題

The exploration of themes related to suffering, redemption, and the passage of time is a recurring motif in various art forms. Consider, for instance, the cinematic masterpiece *Les Misérables*, Victor Hugo's monumental novel brought to life on screen. The film vividly portrays the struggles of Jean Valjean, a man grappling with societal injustice and his own past sins. His journey of redemption, marked by both setbacks and acts of compassion, resonates deeply with viewers. This theme of enduring hardship and the pursuit of moral elevation finds a powerful echo in the sculptural works of Auguste Rodin. Rodin's *The Thinker*, for example, embodies the profound introspection and moral struggle inherent in the human condition. The sheer physicality of the sculpture – the strained muscles, the furrowed brow – conveys a sense of internal conflict, a silent battle between opposing forces within the individual. Similarly, his *The Kiss* captures the intensity of human connection amidst adversity, hinting at the transformative power of love and forgiveness. Furthermore, Marcel Proust's *In Search of Lost Time* (À la recherche du temps perdu) delves into the subjective experience of time and memory, highlighting the ways in which the past shapes our present selves. Through his intricate narrative, Proust explores the complexities of human relationships and the elusive nature of truth, underscoring the enduring impact of both joy and sorrow. The fleeting nature of time and the search for meaning within its passage are central to Proust's exploration of the human condition. The intersection of these three artistic expressions – the film's narrative, the sculpture's physicality, and the literary exploration of memory – reveals profound connections. They all explore the human struggle against adversity, the quest for redemption, and the enduring power of memory and emotion in shaping individual identity.